We describe the critical ways in which the fulldome medium is different from traditional film and what that means for the film-maker. 

In Part II of this paper, we will identify directorial choices about what and how content is shown in the dome theater.

Pertaining to my research about the future cinema, especially the change of the visual dramaturgy in context of ‘new’ technologies like 3D, full dome, VR, HFR and so on, I will outline the importance of visual narration. This paper shows some results of the studies and how HFR can support spatial films in their dramaturgy. Also, I will outline the change of the visual dramaturgy in the dome - how the 'domography' should be made to fascinate the audience.